Martin Ries 1970's

Martin Ries
1970's

Taught art history and studio courses at Long Island University, given tenure in 1972, Full Professorship in 1978. Series of "Homages" to artists he had been influenced by or artists he especially liked. Exhibited prints in Ecuador. Published "Picasso and the Myth of the Minotaur" in Art Journal; portion reprinted in Picasso in Perspective, anthology edited by Gert Schiff. Contributing Editor, Arts magazine; Art Editor, Greenwich Village News.

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Indifferent to Creativity and
Small Tragedies,

1970, 10 X 8, acrilic, screen, gold mylar, collage on board.
Kurt Delbanco collection, New York.

Not Empty-Handed in an
Endlesss Continuum,

1970, 18 x 24, Egg Tempera, screen, collage/masonite.

Frivolity of the Non-Human,

1972, 20 X 26, Screen print.

Endless in the Confines,

1975, 16 x 10 , acrylic, silk screen,
gold mylar, and collage on board.
Signed and dated on back.

Stolen painting; not recovered.

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	Indifferent to Creativity and Small Tragedies, 1970, 10 X 8, acrilic, screen, gold mylar, collage on board. Kurt Delbanco collection, New York.
Not Empty-Handed in an Endlesss Continuum, 1970, 18 x 24, Egg Tempera, screen, collage/masonite.
	Frivolity of the Non-Human, 1972, 20 X 26, Screen print.
Endless in the Confines, 1975, 16 x 10 , acrylic, silk screen, gold mylar, and collage on board. Signed and dated on back. Stolen painting; not recovered.